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(1969-1972)
Rickey Medlocke (vocals) Charlie Hargrett (guitar)
Greg T. Walker (bass) DeWitt Gibbs (keyboards)
Jakson Spires (drums)
Rickey Medlocke (vocals) Charlie Hargrett (guitar)
Greg T. Walker (bass) DeWitt Gibbs (keyboards)
Jakson Spires (drums)
How it Began
To begin you gotta go back to the southern state of Florida. A mixture of rock, country, blues, pop, and R&B hits the ears of Rickey Medlocke. He is the grandson and adopted son of the legendary Shorty 'Train Train' Medlock. He was a semi-famous blues and bluegrass player. His playing influenced Ronnie Van Zant to write Curtis Leow. As well as influencing him just outright. Jakson Spire's father was Cheyenne/French and his mother was Cherokee. Born and raised on the Fort Sill reservation in Oklahoma. Greg "Two Wolf" Walker is a member of the eastern branch of Muskogee Creek. a state recognized tribe in northern Florida. Medlocke's family comes from the Souix tribe. Charlie Hargrett was the lone 'white man' being from Long Island, New York. His family moved to Jacksonville, Florida when he was 14 in 1963. He had been playing guitar since his dad gave him one as as his 8th birthday gift. At age 13 he in fact quit his first guitar lesson. As he didn't like the way the teacher was showing him how to play. 1965 he bought his first electric guitar and amp. Then quickly had a band going by 1966 THE MACH V. Playing their first gigs at car shows at the Jacksonville Coliseum and the Jacksonville Civic Center. Jakson Spires set out to first play bass and guitars but things turned out differently. Jakson had an accident that burned his hand. Leaving him with only two good fingers. The drums became his weapon of choice after that. Rickey's parents split early in his life. Leading to his grandparents to adopt him and his siblings. Age 3 Rickey had been taught to play a banjo with Shorty's band. By age 8 Rickey had learned guitars and drums. Traveling with his grandpa. Eventually he mastered the banjo, guitar, drums, mandolin, dobro and keyboards. On noted appearance was on the "Toby Dowdy's Saturday Night Country" broadcast on WMBR FM in Jacksonville, Florida. As a kid Medlocke had to have a lung removed. It was decide the best thing to do after battling fibrosis. Which to some would kill any chance of having the lung power to belt out radio staples. But his want to sing was set in stone after seeing Elvis live in 1957 at the Jacksonville Baseball Park. Rickey decided then and there his life was music and the road. He had a melodic singing voice and had taught himself to sing and play guitar at the same time. With Paul Rodgers of Free and later Bad Company being another hero of his. After high school he swam through the usual going nowhere garage bands. THE HOT WATER BLUES BAND (as bassist), THE ROCKING ACES (as guitarist), CANDIED APPLE (as a drummer), MIRACLE SOUNDS (as a R&B vocalist) and SUNDAY FUNNIES. Jakson Spires & Greg T Walker grew up with Medlocke through their school days. Walker says in a interview that he learned to play guitar chords from Rickey's grandfather Shorty. And his sister's boyfriend showed him more chords on top of that.
Rickey Medlocke discussing his early life and seeing Elvis.
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Greg T. Walker discusses growing up with Jakson and Rickey.
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The Rocking Aces would be the first band the three friends would played in together. Which was just a high school band that quickly folded. Charlie Hargrett would hang around the Comic Book Club where he first became friends with Jakson Spires. Jakson was now in the band TANGERINE with Dewitt Gibbs on keyboards. Later on he would befriend keyboardist Ron Sciabaras who was in FRESH GARBAGE. With Medlocke on drums & vocals, and Greg T. Walker on bass. This was 1969 where they started bumping in to The Allman Brothers (named Allmond Joys) and Lynyrd Skynyrd (named One Percent Band). One known crossing was in a local band contest held down in Gainesville, Florida. They didn’t win but got the buzz going and were soon driving up and down the I-95 corridor. Performing at every bar and dirt paying spot they could. September 1969 FRESH GARBAGE retooled with Medlocke back on vocals and playing the congos. Ron was fired basically because he was putting his day job ahead of the band. Leaving them sometimes mid-set at shows. TANGERINE folded so in comes Jakson Spires and Dewitt Gibbs on keyboards. Soon after renaming the group HAMMER. The band moves to Gainesville to be the house band at Dub's. A topless bar with rag hag women. Things weren't clicking so Hargrett left and former THE LIVIN' ENDS. Dennis Holmbeck took his place. Hargrett evidently left on such good terms that he taught Dennis the guitar parts. And he kept in contact with the guys. Hargrett moves out of the house the band was sharing. Holmbreck & his wife move in and some problems stir up. Holmbreck goes on soon to form another band. Walker calls on Hargrett to come back. He's welcomed back with a bang as the guys while drunk roars into his hotel room. The name Hammer has to go because another band named Hammer gets themselves a record deal. So It's at this time the band decides to name themselves after Greg's, Rickey's, and Jakson's Native American heritage. All the tribe names and such gets thrown around with nothing that strikes boldly. The TV was on the Johnny Cash Show as he profiled the Blackfoot tribe. Spires out loud says Blackfoot and all eyes go to him. So it's said so shall it be named.
Nancy O'Connor, a Gainesville native was working for Hollybrook Music Publishing. Which was a company owned by Epic Records in New York City. Nancy was back home home for the holidays when she seen the band at Dub's on New Years Eve. She had liked the band and told her boss Ira Sokoloff about them upon her Manhattan return. Little did she know things would go so well the band moves to Manhattan. Living in her one-bedroom fifth-floor apartment. Located on St. Marks Place in the East Village. Six people were living that small apartment. Nancy, the band, and their first roadie Rick Moulton. The first request from the record company was for Medlocke to demo the song 'Knock Three Times' which is later a Tony Orlando And Dawn' hit. Right or wrong he does say no to the notion though. Within a few weeks most of the band's equipment is stolen from their van. With the band having next to no money their sets get replaced by Ira. Nancy's apartment lease runs out so Ira arranges for the group to stay in the basement of his uncle's house in Irvington, New Jersey. Like in a bad rock n roll movie trouble soon follows. The uncle's teenage daughter rides with the guys for on a day trip to the Jersey Shore. On the way, their van is nearly ran off the road by another car. The band flips the other driver the one finger salute. 'Mistake' the other driver is a unmarked State Police car. The band pulls over as all good drivers do. While getting the vehicle registration out of the glove compartment, the trooper notices a BB pistol. A thorough search of the van, yields two real handguns. The guys and the daughter were all taken to the police station. The guys had to pay a fine, and the guns were confiscated. The teenager wasn't charged with anything. Being a minor though her father had to come to the police station to get her. 'SURPRISE' the band were kicked out of his basement. Needless to say it was the end with manager Ira. and Nancy becomes the band's new manager. Mid 1970 keyboard player DeWitt Gibbs and roadie Rick Moulton quit the band. Big mistake on their part. They missed out on the band's biggest pay day up to that point. One gig at a Chinese diner they were payed 7$ and all the food they could eat!
Blackfoot is now living at the Royal Hotel in Mt. Freedom, N.J. The room is free in exchange for playing in the hotel's nightclub. Now and then also helping with maintenance work.
One show known to be was a benefit concert at the Unitarian Fellowship Hall, Morristown, N.J. To raise money to bail one of the locals out of jail. From there they would play sporadic local concerts along with the hotel gig. The band survived with the help of meals and support from their fans in the area. John Vassiliou and Ricky Reynolds were living in a van in the woods behind the hotel. 'LIVING IN A VAN DOWN BY THE RIVER' And they became the guys new roadies. Next they move to a house in the country outside of Hackettstown, N.J. Where they score more gigs playing keggers and frat parties. One gig that stands out from this period is Morris County College. The guys were arrested and charged 'defrauding an innkeeper' and larceny of hotel room furnishings'. Bailed out by audience members in the college parking lot after the show. The
charges of were thrown out of court. So it's the end of the school term 1971, and so the gigs are drying up as the kids go home for summer or graduate. Roadies John Vassiliou and Ricky Reynolds leave also. They loose the country place and move in with the band 'Yiege' outside of Princeton, N.J. They weren't getting along with the other band so something needed to change.
charges of were thrown out of court. So it's the end of the school term 1971, and so the gigs are drying up as the kids go home for summer or graduate. Roadies John Vassiliou and Ricky Reynolds leave also. They loose the country place and move in with the band 'Yiege' outside of Princeton, N.J. They weren't getting along with the other band so something needed to change.
Innyrd With Skynyrd
Medlocke calls up friend Allen Collins. He was in a band you might have heard of LYNYRD SKYNYRD. He ask if there's any room for himself to do any job. Carry gear, clean up, almost anything. Luck has it that they need a new drummer. Rickey calls up Ronnie Van Zant and that's what exactly Van Zant offers him. Medlocke hasn't had drums of his own for years so he had to borrow a set and practice awhile. Just two weeks later Medlocke ends up in Muscle Shoals recording studio with Jimmy Johnson and the Swampers. Greg T Walker I read sees this from a different point of view. He said one day the phone rang and it was Ronnie Van Zant looking for Jakson. Rickey took the call and told Ronnie, he played drums. A week later he was in Florida with Skynyrd. Either way, a bass player is soon needed and Greg T Walker is brought up as well. Medlcoke ends up doing vocals on 3 self-written tracks The Seasons, White Dove, and Too Proud To Pray. Then on a Blackfoot converted song Run Around. The album SKYNYRD'S FIRST AND LAST was recorded but not released. These were inturn just the demos for Skynyrd's first album 'Pronounced Lynyrd Skynyrd'. After playing in Skynyrd for about two years Rickey decides playing drums isn't him. He said he was a good drummer, but not a great drummer. And the fact is it didn't suit his personality. Rickey tried out for the third guitar part but things didn't turn out that way.
(1972-1974)
Rickey Medlocke (vocals) Patrick Jude (vocals)
Charlie Hargrett (guitar) Greg T. Walker (bass)
Lenny Stadler (bass) Jakson Spires (drums)
Rickey Medlocke (vocals) Patrick Jude (vocals)
Charlie Hargrett (guitar) Greg T. Walker (bass)
Lenny Stadler (bass) Jakson Spires (drums)
Putting it all together.
During the Skynyrd years Charlie Hargrett had stayed in NJ while the rest of the band moved back to Florida. Ex-Blackfoot roadie John Vassiliou shows up at Hargrett's door with Reidsville, N.C. bassist Lenny Stadler. John was now a roadie with Lenny's band Blackberry Hill. Their guitarist quit so Charlie was thought to be a replacement. Charlie goes along with the hill band. Meanwhile Charlie had been talking to Spires about forming another band as Rickey started calling. Charlie didn't last long in the band as he decided to work with Jakson and Rickey again. November '72, Blackfoot re-forms in North Carolina, with Medlocke, Spires, and Hargrett. The Hill band doesn't workout so Stadler is asked to join in the reformed Blackfoot. Medlocke tries his hand at singing only. (Hard to imagine). Danny Johnson from the Louisiana band Axis joins as the 2nd lead guitarist. After a few weeks Rick missed playing guitar. So its decided to go back original 4 person line-up. Danny goes off and gains fame with RICK DERRINGER, ALCATRAZZ and STEPPENWOLF. Blackfoot started playing bigger shows supporting BLACK OAK ARKANSAS and JOHNNY WINTER. In September Stadler became ill and x rays revealed a lung tumour and a spot on his heart. While getting a final x ray before his surgery its revealed his lungs was clear. Convinced that God had intervened Stadler left the band to become a United Methodist minister. The rest of the guys get jobs at the Burlington Industries Chemical Division. After raking up some money its time to hit the road hard again. Fall 1973 call is placed to Greg T. Walker in Florida, and he agreed to re-join the band. The original 4-piece band was back
together. Even with old roadies John Vassiliou and Ricky Reynolds. New roadie Gary Dalton from 'Blackberry Hill' comes along too. The band after a month rehearsing in N.C. moved back to the countryside in Morris County, N.J. The legal drinking age had been lowered and the club scene opened up even bigger. The band did well in the area, and decided to stay for a while. 1974 Begins working with West Orange, N.J. booking agent Lou Manganiello.Who takes over management of the band. By the summer though its bad news again. Rickey gets nodes on his vocal cords and loses his voice. Doctors tell him he will not be able to sing again. Theatrical singer Patrick Jude is auditioned to take over the vocals. Things were good at first, he was an excellent vocalist. But rock n roll he wasn't. His stage manor was nothing like Medlocke's. In the middle of a gig at Dodd's in Orange, New Jersey, Rickey couldn't stand it no longer. He took the microphone away from Patrick, and finished the night. That was Patrick's last appearance with Blackfoot.
together. Even with old roadies John Vassiliou and Ricky Reynolds. New roadie Gary Dalton from 'Blackberry Hill' comes along too. The band after a month rehearsing in N.C. moved back to the countryside in Morris County, N.J. The legal drinking age had been lowered and the club scene opened up even bigger. The band did well in the area, and decided to stay for a while. 1974 Begins working with West Orange, N.J. booking agent Lou Manganiello.Who takes over management of the band. By the summer though its bad news again. Rickey gets nodes on his vocal cords and loses his voice. Doctors tell him he will not be able to sing again. Theatrical singer Patrick Jude is auditioned to take over the vocals. Things were good at first, he was an excellent vocalist. But rock n roll he wasn't. His stage manor was nothing like Medlocke's. In the middle of a gig at Dodd's in Orange, New Jersey, Rickey couldn't stand it no longer. He took the microphone away from Patrick, and finished the night. That was Patrick's last appearance with Blackfoot.
(1974 - 1977)
Rickey Medlocke (vocals/guitar) Greg T. Walker (bass/vocals)
Jakson Spires (drums) Charlie Hargrett (guitar)
Rickey Medlocke (vocals/guitar) Greg T. Walker (bass/vocals)
Jakson Spires (drums) Charlie Hargrett (guitar)
Fall 1974 for a year the guys have been living at Sokol Camp, a Polish summer camp near Boonton, New Jersey. A fair amount of original tunes were written here. A main reason as to why Medlocke didn't get the third guitar spot in Skynyrd was his lack in lead guitar skills. Charlie was helping him around this time learn more and more. Medlocke was fastly improving as a guitar player. This started to give the band a more two lead guitars sound. Rickey really came into his own while working the guitar ending of I Stand Alone. This tune carried on the song format such as Free Bird.
While recording with Lynyrd Skynyrd at Muscle Shoals Rick and Greg T. had worked with producers Jimmy Johnson and David Hood. Jimmy and David were sent a tape of the band's songs. They dug what the guys had sent them and an deal came the band's way. Offer was to produce and record an album at no cost to Blackfoot. Making their money only when they got a record deal scored. How can you say no to that. The band sure as hell didn't say no. 1975 The age of disco and dance comes the first album 'No Reservations'. In only 28 days, the foursome recorded, mixed and mastered their first album. Which was released on Island Records. Medlocke and Spires co-wrote all the songs but only Spires was creditied due to a legal issue between Medlocke and Skynyrd. Only song different then this is 'Railroad Man' which is a hard rock version on Shorty's song. Shorty's version appears at the end of the album. Sadly the album wasn't commercially successful in general. It did however enabled the guys to go out on bigger tours and got exposure in some new parts of the country, Arkansas, Texas, Virginia, and Tennessee. December 1975 The band moves back to Florida due to cold New Jersey winters making Rick's health worse. As I wrote before Medlocke has had chronic lung problems since he was a child. Even had a lung removed. (Hard to believe what all he has done on stage all these years on half the lung power as others.) Non the less they move into a house in Gainesville. Well it's 1976 and it's back to Muscle Shoals Sound again. Their 2nd album 'Flying High' was made for Island Records. But not having made money on the first album, passed on it. Epic Records later in the year rescued and release it. Bigger gigs come as they opened for Peter Frampton, Gary Wright, Kiss, and Ted Nugent. Lightening strikes twice as the albums flakes and the band is dropped by Epic as well. I like this album very much but Medlocke said the album lacked some kind of spark for him. I'd say this is the most like Skynyrd the band came to sounding.
(1977-1978)
Ruby Starr (vocals) Rickey Medlocke (guitar/vocals)
Charlie Hargrett (guitar) Greg T. Walker (bass)
Jakson Spires (drums)
Ruby Starr (vocals) Rickey Medlocke (guitar/vocals)
Charlie Hargrett (guitar) Greg T. Walker (bass)
Jakson Spires (drums)
1977: Once again out of gigs, close to breaking up. In need of new management they contacted Black Oak Arkansas' manager, Butch Stone. Bad news he was unable to take on a new project. Good news he was already representing Ruby Starr who
was back up singer on the hit 'Jim Dandy to the Rescue' (real name Connie Mierzwiac). Her backing band just quit and here were show dates. After meeting her and her road manager Molly Brumfield 'Ruby & Blackfoot' was born. Back to Gainesville to rehearse for a few days, and then off on the road. October 20th, 1977 they were in Greenville, North Carolina motel that night, getting ready to leave for the club to play. Thats when the news comes on their television; Lynyrd Skynyrd's airplane has crashed. No word yet on survivors or the deceased. I read an interview once where Rockey said they rode to the club
in silence, fearing the worst. For the live shows Blackfoot would paley their set then do the Ruby Star set. New Years Eve 1977 comes a gig that plays a very important part. Where a man by the name of Al Nalli catchs three songs where Medlocke sings and sees something. But we'll get to him later on. January 31st 1978 the band parted ways with Ruby after one last gig in Lake Tahoe, Nevada. Blackfoot road manager John Vassiliou had quit several weeks earlier. In 1979 Starr fell in love with guitarist Fred Hodnik from a guesting band Lucg Gray and quit to remold this band into Grey Star.
was back up singer on the hit 'Jim Dandy to the Rescue' (real name Connie Mierzwiac). Her backing band just quit and here were show dates. After meeting her and her road manager Molly Brumfield 'Ruby & Blackfoot' was born. Back to Gainesville to rehearse for a few days, and then off on the road. October 20th, 1977 they were in Greenville, North Carolina motel that night, getting ready to leave for the club to play. Thats when the news comes on their television; Lynyrd Skynyrd's airplane has crashed. No word yet on survivors or the deceased. I read an interview once where Rockey said they rode to the club
in silence, fearing the worst. For the live shows Blackfoot would paley their set then do the Ruby Star set. New Years Eve 1977 comes a gig that plays a very important part. Where a man by the name of Al Nalli catchs three songs where Medlocke sings and sees something. But we'll get to him later on. January 31st 1978 the band parted ways with Ruby after one last gig in Lake Tahoe, Nevada. Blackfoot road manager John Vassiliou had quit several weeks earlier. In 1979 Starr fell in love with guitarist Fred Hodnik from a guesting band Lucg Gray and quit to remold this band into Grey Star.
1978-1983
Jakson Spires (drums) Charlie Hargrett (guitar)
Rickey Medlocke (vocals/guitar) Greg T. Walker (bass/vocals)
Jakson Spires (drums) Charlie Hargrett (guitar)
Rickey Medlocke (vocals/guitar) Greg T. Walker (bass/vocals)
About To Strike
Blackfoot Strikes promo photo
So back to Florida with no gigs. Things couldn't get worse right! 'WRONG' Their rental truck bills had not been paid like they were told it was. All their equipment had been impounded with the truck. The band had to take out personal loans to bail out the gear. Ok so it's mid 1978: Their luck is about to change. They were contacted by Brownsville Station manager Al Nalli (remember his name) and his partner Jay Frey. On one of their more recent tours through Texas, they had been booked with Brownsville Station. At the time Nalli who had never heard of the band, didn't understand why radio stations and promoters had said Brownsville should open for them instead. Much like Skynyrd did to the Rolling Stones. Station frontman Cub Koda called Nalli with a report after the shows, and Nalli's interest was peaked. According to Nalli it was rough at first. The band had went through several managers and Medlocke wasn't gonna let him just come in. It was pestering and one final phone call in Texas that Medlocke broke down. He bought their contract from Lou Manganiello. Next we find the band in Hackettstown, New Jersey, and rehearsing at a hang gliding school. Writing some of the songs that would soon be released on 'Blackfoot Strikes'. Around this time the band meets a future player in their history. Bobby Barth was nice enough to answer a few questions for us.
Can you you remember back to when you first ever meet the guys in blackfoot?
BB: I met Jak in 1969, but we didn't realize it until years after. The official meeting was in 1978-79. We shared a manager and a rehearsal space.
How often did you bump into the guys after that?
BB: Pretty often, as I said we shared a manager ...etc
Another Shorty cover comes in the form of a hard boogie rocking version of 'Train Train'. Other hits included 'Road Fever' 'Wishing Well' 'Left Turn On The Right Light' & THE HIT 'Highway Song' It's Fall 1978 and the band has their picks from their bulk of songs. They head down to Ann Arbor, Michigan to begin the usual album rehearsal pre-production. Nalli's sister Rene Nalli, is a vice-president at Atco Records. She and Atco exec Doug Morris see an investment. The final step to get the band signed was a jam where Medlocke jumped on drums, Spires on bass, and Walker on guitar. The crowd went nuts and one final 3am phone call seals the deal. They finance the final pre-recording rehearsals at Brownsville Station's warehouse. Engineered even by Brownsville Station drummer Henry Weck. Strikes final recording and mixing takes place in the basement studio below the Nalli Music Store Annex, 312 S. Ashley St, Ann Arbor, MI. However the record company interjected a few wants. For one they insist on is some radio friendly cover songs. So Medlocke brings up Free's 'Wishing Well'. Secondly they believed the rhythm section was not pleasing to radio listeners. So the band lightens it up to where it has more bounce and groove. Blackfoot and the record company disagree on two songs. One being 'Highway Song' which Atco said the 7 minute song wouldn't get air time. 'Train Train' also had the same said. January of 1979 the album hits stores and is destined to be the band's crossover to commercial success. Naturally after an album it's time to tour. So early spring it starts and last through out the year. Including a run with REO Speedwagon.
Can you you remember back to when you first ever meet the guys in blackfoot?
BB: I met Jak in 1969, but we didn't realize it until years after. The official meeting was in 1978-79. We shared a manager and a rehearsal space.
How often did you bump into the guys after that?
BB: Pretty often, as I said we shared a manager ...etc
Another Shorty cover comes in the form of a hard boogie rocking version of 'Train Train'. Other hits included 'Road Fever' 'Wishing Well' 'Left Turn On The Right Light' & THE HIT 'Highway Song' It's Fall 1978 and the band has their picks from their bulk of songs. They head down to Ann Arbor, Michigan to begin the usual album rehearsal pre-production. Nalli's sister Rene Nalli, is a vice-president at Atco Records. She and Atco exec Doug Morris see an investment. The final step to get the band signed was a jam where Medlocke jumped on drums, Spires on bass, and Walker on guitar. The crowd went nuts and one final 3am phone call seals the deal. They finance the final pre-recording rehearsals at Brownsville Station's warehouse. Engineered even by Brownsville Station drummer Henry Weck. Strikes final recording and mixing takes place in the basement studio below the Nalli Music Store Annex, 312 S. Ashley St, Ann Arbor, MI. However the record company interjected a few wants. For one they insist on is some radio friendly cover songs. So Medlocke brings up Free's 'Wishing Well'. Secondly they believed the rhythm section was not pleasing to radio listeners. So the band lightens it up to where it has more bounce and groove. Blackfoot and the record company disagree on two songs. One being 'Highway Song' which Atco said the 7 minute song wouldn't get air time. 'Train Train' also had the same said. January of 1979 the album hits stores and is destined to be the band's crossover to commercial success. Naturally after an album it's time to tour. So early spring it starts and last through out the year. Including a run with REO Speedwagon.
Unlike the first albums radio play of 'Highway Song' and 'Train Train' takes place. Around mid-year when "Train Train" hit the charts things really started rolling. 'Highway Song' places higher at number 26. Proving the Atco guys wrong. 'Road Fever' 'Left Turn On The Right Light' from the album become must play live hits from this point on. In September 1979 Like all rock n roll dreams they get their own tour bus. Even upgrading their gear and amps. Plenty of strings, drumsticks, heads, and other supplies come from various sponsors. But no good tour goes without a little trouble. September 20th out in Long Beach, CA comes one example. Their rental truck with all their equipment was stolen. Poor oversite on their behave is no insurance on the gear or the truck. So co-manager Jay Frey and some of the crew head to Nalli's music store in Ann Arbor. To get their basic instruments. While In Detroit they rent another truck which they drive to meet the others in El Paso, Texas. But first do you remember guitarist Danny Johnson from earlier. Well he's living in L.A.at this time. One phone call later he volunteered to loan them equipment for the show at the Swing Auditorium, San Bernardino, CA the next night. Despite being slighty out of tune and breaking strings the show went off ok. They played with their new gear at the Coliseum in El Paso, Texas. With this setback the rest of the tour went off great. Touring later with Ted Nugent. Playing to 12,000 people a night, Nugent goes so far as to say as his opening act, You guys kick ass and make me play harder. As a gift they give Nugent one of their first gold record plaques.
So back to the studio in late 1979 to record what would be come Tomcattin.
On The Run
On December 7th they take a break from the studio to open for The Who at the Silverdome, Pontiac, Mi. It was only the third show The Who played since the deaths of several fans at a Cincinnati show. Spring 1980 'Tomcattin' is released. This album to me out of all their albums is the most listenable from start to finish. Fox Chase is great to just blow your speakers out. One of my favorite songs of all. Spendin' Cabbage is a call back to country blues from the 40's and awesome in my book. Back on the road again opening for The Who during their entire Spring tour. After a concert May 5th ATCO record presents the band their first gold album. That being 'Strikes' it has hit the 500'000 units sold mark. Later in 1980: A U.S. comes their American tour with AC/DC. Must have been some wild nights here! For the band's first trip to the U.K. they tour with the Scorpions. Late in the year it's back in Ann Arbor. To begun work on the album Marauder. The first single 'Diary Of A Working Man' gets extensive radio play over in Europe. But not so much everywhere else. Other good hits 'Fly Away' 'Rattlesnake Rock N Roller' become must play songs for the band live. Dry County is a song that has been bouncing around since the first album. Written about the bands run from the dry county of Muscle Shoals over to the Tennessee line. August 22 1981 the album has been out and selling ok. The band begins to clearly gain more success in Europe than America.
Donnington
Now comes the Monsters of Rock show. With AC/DC and Whitesnake at Castle Donnington Park, in England. Some reporter calls their performance boring. What was he smoking. Just listen to the recording of this show, KILLER. A TV News report on the festival was done which gives us a pro-shot performance of 'On The Run' and a Medlocke interview.
Speaking of what was he smoking, on the way back from the show Blackfoot was on a charter plane. The pilot lets Medlocke take over flying the plane for a while. October 18 through November 22, 1981 Def Leppard opens for the band. Making this first European band the guys help break in America. The roadies on this tour start a series of pranks. |
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last night of the tour takes place November 22 San Antonio, Texas. A large 'DIK LIKKER' sign appears behind Leppard. Roadies start dropping ping pong balls to the stage from the light rigs. Followed by flaming streamers of flash paper. Smoke from a stink bomb thrown in front of drummer Rick Allen's electric fan filled the stage. Joe Elliott yells to the
crowd to put their hands in the air. From behind the amp stacks Blackfoot and crew with hands only sticking out begin to wave. Filling the crowd with laughter. Of course Joe doesn't get what's going on. Then Joe yells to the crowd 'we were in
Houston last night, and they made a lot more noise than you're making'. Off stage someone grabs a microphone and goes "oh no they didn't"! While Blackfoot was playing, Leppard bass player Rick Savage dribbled a basketball
across the stage. And then someone tried to shove a big laundry basket across the stage. The extra bonus was one of their girlfriends was inside. It only makes it about half way across. There sits the poor embarrassed girl. Center of the
stage stuck with her ass and legs hanging out!!!!
Late 1981 - early 1982 They decide to get away from Ann Arbor awhile. So they rent out a house on the bank
of the Suwannee River, Mayo, Florida. After a couple of months there there wasn't enough of the right material for the next album. March till May 1982 it's back to Europe. Touring France with Iron Maiden, then through the U.K. The success
of the band in Europe had the record company recording several shows using the Rolling Stones Mobile. Highway Song Live comes out for Europe markets only. Available everywhere else by import only. Also there was some filming done which
we have examples of in a bootleg dvd in Zurich. As well as footage at the Hammersmith in London, England, Turned into a MTV music video for Train Train.
crowd to put their hands in the air. From behind the amp stacks Blackfoot and crew with hands only sticking out begin to wave. Filling the crowd with laughter. Of course Joe doesn't get what's going on. Then Joe yells to the crowd 'we were in
Houston last night, and they made a lot more noise than you're making'. Off stage someone grabs a microphone and goes "oh no they didn't"! While Blackfoot was playing, Leppard bass player Rick Savage dribbled a basketball
across the stage. And then someone tried to shove a big laundry basket across the stage. The extra bonus was one of their girlfriends was inside. It only makes it about half way across. There sits the poor embarrassed girl. Center of the
stage stuck with her ass and legs hanging out!!!!
Late 1981 - early 1982 They decide to get away from Ann Arbor awhile. So they rent out a house on the bank
of the Suwannee River, Mayo, Florida. After a couple of months there there wasn't enough of the right material for the next album. March till May 1982 it's back to Europe. Touring France with Iron Maiden, then through the U.K. The success
of the band in Europe had the record company recording several shows using the Rolling Stones Mobile. Highway Song Live comes out for Europe markets only. Available everywhere else by import only. Also there was some filming done which
we have examples of in a bootleg dvd in Zurich. As well as footage at the Hammersmith in London, England, Turned into a MTV music video for Train Train.
As it was released the band was touring Germany with the Scorpions. August 1982 comes the Redding Festival of which we have an ok sounding audience recording. The kicker is they join Iron Maiden jamming on ZZ Top's Tush, with all 4 guitars, 2 basses and 2 drummers. Kerrang magazine called their performance “simply the best of the entire week” also stating “they are the perfect festival band playing good time southern rock’n’roll that lifts the spirits.” They declared Rickey Medlocke “Master of Ceremonies” and published a picture of the guitarist silhouetted against the crowd with a sea of confederate flags waving in the audience.
Manager Al Nalli knows he needs to pump the guys back up after they see the record sales in America dropping. Paying from his pocket he takes the band to see the movie Rocky III to inspire them to fight harder against adversity. Also Medlocke admitted his drinking was getting outta hand and he needed to slow it down. Shorty passes away at this time making things even harder. 22 out of 24 months the band had been on the road and it began to get to the guys. All these things were pileing up. But on stage the fans still saw amazing work.
Kennedy Richard said this on the facebook page 'Those who love and miss Jakson Spires : I saw Blackfoot 3 times back in the 70's and 80's. The original line-up during their Marauder Tour and the Tomcattin' days. Everyone in my high school was into KISS.....except for me and my best friend: Die-hard Blackfoot fans. I remember waiting for their newer albums (Siogo, Verticle Smiles) to be released and we would be at the record store on the day of release, and just ride around and listen to the music over and over.
Manager Al Nalli knows he needs to pump the guys back up after they see the record sales in America dropping. Paying from his pocket he takes the band to see the movie Rocky III to inspire them to fight harder against adversity. Also Medlocke admitted his drinking was getting outta hand and he needed to slow it down. Shorty passes away at this time making things even harder. 22 out of 24 months the band had been on the road and it began to get to the guys. All these things were pileing up. But on stage the fans still saw amazing work.
Kennedy Richard said this on the facebook page 'Those who love and miss Jakson Spires : I saw Blackfoot 3 times back in the 70's and 80's. The original line-up during their Marauder Tour and the Tomcattin' days. Everyone in my high school was into KISS.....except for me and my best friend: Die-hard Blackfoot fans. I remember waiting for their newer albums (Siogo, Verticle Smiles) to be released and we would be at the record store on the day of release, and just ride around and listen to the music over and over.
(1983-1986)
Rickey Medlocke (guitar/vocals) Charlie Hargrett (guitar)
Greg T. Walker (bass) Jakson Spires (Drums)
Ken Hensley drums) Ken Hensley (guitar/keyboards)
Bobby Barth (guitar/keyboards)
Rickey Medlocke (guitar/vocals) Charlie Hargrett (guitar)
Greg T. Walker (bass) Jakson Spires (Drums)
Ken Hensley drums) Ken Hensley (guitar/keyboards)
Bobby Barth (guitar/keyboards)
Atco says that the band is stale and could use some new blood. To help freshen up the material and modernize the band's image. Both Ken Hensley of Uriah Heep and John Lord of Deep Purple are brought up. Lord was about to reunite with the
famous Ian Gillan line up of DP. Hargrett told this story in a interview
"Ken's manager was worried about losing him, and wasn't letting Nalli near him. We had
a friend of ours call and say that he had a Hammond B-3 organ. Ken would just need to give him a call, and it would be his. That did it. When Ken called, we told him that we wanted him to come to Ann Arbor to discuss joining Blackfoot, and if things worked out at the meeting and he joined us, we'd give him the B-3 as promised"
Musically Atco had the band try to steer away from their hard rock (which maed money) way. Into a more 80's radio friendly territory. From what I read Medlocke said himself, Spires, and Hensley just sat down and discussed 'what makes a hit song.' Instead of letting the songs come naturally like the band had did since day one. Bobby Barth also helped with the process.
I read that you helped out the band on a few albums while you got back to health after a accident. Is that true and could go in a little bit more detail?
BB: Well, it's true, but the timing is incorrect. During the SIOGO and Vertical Smiles records, I was with them in the studio and for writing sessions. When you must put out records every so many months and tour at the same time, it's good to bring some other writers and players onboard, just to throw ideas and parts at each other, the more stuff you have to choose from the better. Jak did the same with me during a couple Axe records.
Can you remember anything particular songs that you had a part in writing?
BB: A couple I remember that were mine were Ride With You and Crossfire.
This album from day one was an attempt to sound like 80's mainstream. Which even years later is often said is the band's 2nd worst output. On the flipside this album wasn't as bad as its been reviewed. It's not as hard or 'southern' as the first albums. But it was a good mix of the new 80's sound and classic rock. Siogo the name of the album has a funny story. The band told Atco it was an Indian word meaning closeness or togetherness. Actually, it reads S.I.O.G.O 'Suck It Or Get Out'. Which was a joke sign placed on the band's tour bus. It was poking fun at the groupies. Atco discovered the true meaning after the album's release. Their publicist was calling all the field reps to promote the album. Luck would have it one of them had traveled with the guys and knew the truth. Appearently this person started laughing once told what Atco thought SIOGO meant. They eventually told them the truth but Atco didn't see the funny side.
famous Ian Gillan line up of DP. Hargrett told this story in a interview
"Ken's manager was worried about losing him, and wasn't letting Nalli near him. We had
a friend of ours call and say that he had a Hammond B-3 organ. Ken would just need to give him a call, and it would be his. That did it. When Ken called, we told him that we wanted him to come to Ann Arbor to discuss joining Blackfoot, and if things worked out at the meeting and he joined us, we'd give him the B-3 as promised"
Musically Atco had the band try to steer away from their hard rock (which maed money) way. Into a more 80's radio friendly territory. From what I read Medlocke said himself, Spires, and Hensley just sat down and discussed 'what makes a hit song.' Instead of letting the songs come naturally like the band had did since day one. Bobby Barth also helped with the process.
I read that you helped out the band on a few albums while you got back to health after a accident. Is that true and could go in a little bit more detail?
BB: Well, it's true, but the timing is incorrect. During the SIOGO and Vertical Smiles records, I was with them in the studio and for writing sessions. When you must put out records every so many months and tour at the same time, it's good to bring some other writers and players onboard, just to throw ideas and parts at each other, the more stuff you have to choose from the better. Jak did the same with me during a couple Axe records.
Can you remember anything particular songs that you had a part in writing?
BB: A couple I remember that were mine were Ride With You and Crossfire.
This album from day one was an attempt to sound like 80's mainstream. Which even years later is often said is the band's 2nd worst output. On the flipside this album wasn't as bad as its been reviewed. It's not as hard or 'southern' as the first albums. But it was a good mix of the new 80's sound and classic rock. Siogo the name of the album has a funny story. The band told Atco it was an Indian word meaning closeness or togetherness. Actually, it reads S.I.O.G.O 'Suck It Or Get Out'. Which was a joke sign placed on the band's tour bus. It was poking fun at the groupies. Atco discovered the true meaning after the album's release. Their publicist was calling all the field reps to promote the album. Luck would have it one of them had traveled with the guys and knew the truth. Appearently this person started laughing once told what Atco thought SIOGO meant. They eventually told them the truth but Atco didn't see the funny side.
The management began to come down hard on Charlie's look. He wasn't MTV material I guess. Which led to his hair cut and things. Ken Hensley became a influence on Medlocke's fashions. Rickey lost his hats and trenchcoats and started wearing 80's clothes. Hence the school band boy suit made famous by the likes of Michael Jackson. Even getting a pair of the dancing shoes Ken liked. Later on the tour Charlie buys a pair of nylon pants. Hilariously in concert they rip at the crotch exposing his (manhood). Now it's off to Los Angeles to film the bands first two production music videos. Teenage Idol and Send Me an Angel being picked. The videos were pretty good actually. Certainly low budget but they serve the songs well. MTV gives them a little airplay but not much. Eventually Send Me An Angel becomes a big hit on the playboy channel.
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Ok, now this is where the band starts to have a riff form. It's Summer 1983: Mid-tour when Al Nalli calls a meeting. The news being album sales aren't good. The talk from Atco was the next album may be their last. And to get to work ASAP. Rickey and Jakson complain that they can't write on the road. So Nalli tells them that if they can't then Ken and Charlie would write the next album all by themselves. Ken and Charlie had already sent Nalli some 4-track tapes they had recorded on the bus. Nalli explained later on that Rickey had replied that there was no way that a Blackfoot album would be wrote without him.
Molly Gets The Foot
Kansas City, Kansas sees Blackfoot touring with Molly Hatchet. Hatchet's lead singer Danny Joe Brown, and guitarists Steve Holland and Duane Roland don't show up. Leaving only lead guitarist Dave Hlubek, drummer B.B. Borden and bassist Riff West. After a real quick rehearsal backstage Medlocke took Brown's place as frontman. And Charlie played guitar behind Hlubek's lead. Danny and the guys re-joined the next day. (Man would I love to hear a live recording of this show, PLZ GOD let someone have an audience recording somewhere).
SIOGO is a good album I still listen to it. I've talked to some fans who say this is even their favorite Blackfoot album. So it does ultimately stand the test of time. But it didn't work out so well. Seeing their American chart position fall. With next to no break time its back to work. From what I gather Charlie and Greg are now wanting to get more involved with writing for the next album instead of just adding finishing touches and ideas. Rick, Jakson and Ken are in Ann Arbor working on new material and finishing what they wrote on the road. Nalli sits Charlie off to the side and explains that some in the band don't think he plays modern enough. While the band keeps with the modern rock sound. Greg's role also was scaled back. November 1983 in Atlanta the band goes to record Vertical Smiles with Yes engineer Eddie Offord. The first time they,ve went in the studio without having the entire band at the pre-production stage. Charlie takes the butt of it being told he was outright just distracting to everyone else. And that he probably wouldn't be playing much on the new album. Leading to a even more keyboard sound. In retrospect Charlie was right about the band just being what they are. Instead of trying to be popular. After all looking back now the band became more unpopular. January 1984 Vertical Smiles is submitted to Atco. The record company is not satisfied with the album, and wants it re-done. With a completely different group of songs on the b-side. In a short tour between rehearsals Charlie has a sit down with everyone and tells them next time he hears them blame him, he will quit the band. After all the album failure can't be his. He barely played on it and did no writing. His last known show is on January 7th in Goldsboro, North Carolina. Few days later Charlie has had enough and calls Nalli and tells him he's done. Without a fuss he accepts the settlement offering and leaves quiet. He deliberately left this way so that wouldn't label him as the blame if they weren't successful. Gotta give him cuddos for lasting as long as he could. And then him not doing like a lot and go off cussing. The re-recorded Vertical Smiles album is released later in 1984. Morning DOO DOO is a review I read about this album. And I halfway go with that. Songs like Limelight and Morning Dew sound good live with the extended guitar parts and so forth. But on record its not my cup of tea. I do listen to the FM Radio broadcast of the songs for that reason. Album sells are very low and the music video for Morning Dew gets shelved quickly. Although it got good airplay in Europe. Morning Dew goes as far as getting a single release with an extra track. Living In The City is released as the b-side which becomes a rare collectors item. Never released in any form till the 2000 cd release of the King Biscuit Flower Hour.
Charlie did get one last call to play with the band in Helsinki, Finland. But he says NO!!! Ken picks up the pieces by playing guitar parts here and there. He leaves suddenly mid-tour which to this day I think leaves a bad taste in Greg's mouth. Ken has since said he wasn't ready for the band's extensive live tour. The tour needs to carry on so with one day's notice Axe frontman / guitarist Bobby Barth comes in.
You went on the road with the band after Charlie left. How well did you and Rickey Medlocke get along as far as guitar playing went?
BB: Fine, Ric and I were close at the time.
You went on the road with the band after Charlie left. How well did you and Rickey Medlocke get along as far as guitar playing went?
BB: Fine, Ric and I were close at the time.
Later in 1994 Medlocke comments that he doesn't know how this album was even finished. With as mush turmoil that was around. During this tour Rickey Medlocke and band manager Al Nalli were talking "solo" career. To me it seems you had two war camps on the same battle grounds. Everything came to head in a Cincinnati hotel room when a cuss fight broke out and the band dissolved there. December 16 1985 according to what I read Greg said that Rickey decided to end the band. He didn't know why but they all agreed. Rickey, Greg, and Jakson dissolved the corporation and agreed the name would never be used again and shook hands on it. Than the next Blackfoot chapter kinda put more tension between the guys.
(1987-1988)
Rickey Medlocke (vocals/guitar) Wizzard (bass)
Doug Bare (keyboards) Harold Seay (drums)
Rickey Medlocke (vocals/guitar) Wizzard (bass)
Doug Bare (keyboards) Harold Seay (drums)
Jaksons and Greg's account of the split are different to say the least. Either way Medlocke continues the band. He goes on to say the low point of his life was him in a lawyer's office buying the name copyright of Blackfoot.
Could you give some details on the band spliting? Your side of the story so to speak?
BB: Well, everyone has a different perspective, but when a band that has had success, begins to fade away, I think everyone gets pretty edgy. Blackfoot, like Axe had made a few questionable business choices earlier on and when you get hungry you get even more edgy.
There was still one more record left on the Blackfoot contract. Leading to the name Rickey Medlocke and Blackfoot. Much like Black Sabbath Featuring Tony Iommi for the Seventh Star album. Now that's the story as we know it about this album. I can't find concrete proof why this name other than common fan knowledge. Perhaps Medlocke wanted a solo album but had to fill the contract. Or Greg and the gang had something to do with it. Either way Ricky recruited an at first seemed an unlogical band. With Mother's Finest Bass player Wizzard, Doug Bare from White Face on keyboards, Harold Seay on drums, and Bobby Barth hung around playing live with Rickey.
I read that you hung around with Rickey Medlocke after the band split. Is this true & could you give us some details?
I wouldn't say hung around with RM, we played in a band together for a couple of years.
Harold happens to be Wizzard's brother too. Some concert bills I've seen said Rickey Medlocke's Blackfoot. So take your pick of what name you wanna go with. This album I really honestly like. Not every song but there is some great stuff on this. Some cover tunes come in the way of Mother's Finest's Rock n' Roll Tonight, Herman Brood's 'Saturday Night and Russ Ballard' 'Liar'. My two favorite songs are My Wild Romance and Closes Thing To Heaven. C.T.T.H featured female vocalist Liz Larin. Who went on to record an album for Atlantic herself. A music video for Saturday Night receives mild air play. In my opinion this is Medlocke's best album vocal wise. Absolutely his best singing ever. Although a good album it didn't do so well. Leaving Blackfoot with no contract. The band left too leaving Medlocke completely on his own. (Except for Nalli who even manages him till today). Anyways Rickey starts back at square one. It's decided he needs to recruit a younger band. And instead of trying to make a modern album like he had been, take the new band on the road. Regain the band's popularity where it started from.
Could you give some details on the band spliting? Your side of the story so to speak?
BB: Well, everyone has a different perspective, but when a band that has had success, begins to fade away, I think everyone gets pretty edgy. Blackfoot, like Axe had made a few questionable business choices earlier on and when you get hungry you get even more edgy.
There was still one more record left on the Blackfoot contract. Leading to the name Rickey Medlocke and Blackfoot. Much like Black Sabbath Featuring Tony Iommi for the Seventh Star album. Now that's the story as we know it about this album. I can't find concrete proof why this name other than common fan knowledge. Perhaps Medlocke wanted a solo album but had to fill the contract. Or Greg and the gang had something to do with it. Either way Ricky recruited an at first seemed an unlogical band. With Mother's Finest Bass player Wizzard, Doug Bare from White Face on keyboards, Harold Seay on drums, and Bobby Barth hung around playing live with Rickey.
I read that you hung around with Rickey Medlocke after the band split. Is this true & could you give us some details?
I wouldn't say hung around with RM, we played in a band together for a couple of years.
Harold happens to be Wizzard's brother too. Some concert bills I've seen said Rickey Medlocke's Blackfoot. So take your pick of what name you wanna go with. This album I really honestly like. Not every song but there is some great stuff on this. Some cover tunes come in the way of Mother's Finest's Rock n' Roll Tonight, Herman Brood's 'Saturday Night and Russ Ballard' 'Liar'. My two favorite songs are My Wild Romance and Closes Thing To Heaven. C.T.T.H featured female vocalist Liz Larin. Who went on to record an album for Atlantic herself. A music video for Saturday Night receives mild air play. In my opinion this is Medlocke's best album vocal wise. Absolutely his best singing ever. Although a good album it didn't do so well. Leaving Blackfoot with no contract. The band left too leaving Medlocke completely on his own. (Except for Nalli who even manages him till today). Anyways Rickey starts back at square one. It's decided he needs to recruit a younger band. And instead of trying to make a modern album like he had been, take the new band on the road. Regain the band's popularity where it started from.
(1988-1989)
Rickey Medlocke (vocals/guitar) Mark Mendoza (bass)
Doug Bare (keyboards) Neal Casal (guitar)
Gunnar Ross (drums)
Rickey Medlocke (vocals/guitar) Mark Mendoza (bass)
Doug Bare (keyboards) Neal Casal (guitar)
Gunnar Ross (drums)
1988 we have Medlocke, Bare, and drummer Gunnar Ross formally of the band Dictators. The final piece comes in Twisted Sister bassist Mark 'The Animal' Mendoza. As Medlocke says the new band grew up on Blackfoot and now really happy to play in it. That he's always been lucky in getting good players around him. Medlocke brings in unknown guitarist Neal Casal to fill out that two guitar sound that was hugely missing.
In this live clip filmed in 1989 we see a track at that time was new. Wrote to go on the band's next album.
In this live clip filmed in 1989 we see a track at that time was new. Wrote to go on the band's next album.
Forming the Allstars of 1989
Spires bought a 40-acre farm near Ann Arbor and played from time to time in local bands. After the hell of the music industry Charlie Hargrett quit playing professionally. Which is where he got into repairing and selling guitars. In 1989 he was asked to join The Dixie Allstars with Dave Hlubek (guitar, Molly Hatchet), Billy Jones (guitar, Outlaws), John Mackin (drums), Dave Woodie (keyboards), Pete Frizzell (bass) and Jakson Spires. Giving the band that Allman Brothers / Doobie Brothers duel drums sound. Billy and John exited soon after. Charlie played with them for about 5 years then left. The band regrouped with new guys and went out as the Southern Rock Allstars.
(1989-1992)
Rickey Medlocke (vocals/guitar) Neal Casal (guitar)
Rickki Mayr (bass) Gunnar Ross (drums)
Rickey Medlocke (vocals/guitar) Neal Casal (guitar)
Rickki Mayr (bass) Gunnar Ross (drums)
1989 the band changes again with first Gunnar Ross still on board. Guitarist Neal Casal and Lizzy Borden bassist Rikki Mayr come along. And a one album deal with Music For Nations out of Europe. Leading to the album Medicine Man. Which appeals to the cult following Blackfoot always had. This album was a back to form offering. I must say that this is the heaviest Blackfoot record. With the best over all production sound. Mark Woerpel a young guitarist on this album does some post production guitar work. Later on to join the band full time. After some time in European markets it gets released in 1990 in America on Nalli Records. Nalli's loyalty and Rickey's relentless promotion gained this album a decent amount of radio play. Doin' My Job leads the way as Guitar Slingers Song And Dance follows. GSSD remains in the set list from this point until Blackfoot disbands in 1997. The Stealer is a cover of a Paul Rodgers tune. Running Running, Chilled To The Bone, Solder Blue are all great tracks. The band really starts to regain its popularity and plays to bigger places. (Not as much as the hayday though). I really recommend this album to be played along Strikes and so forth. It did pretty well in Europe with low sales in America. But it was around and got great critic reviews.
This line up performing the Jimi Hendrix tune Red House.
1989 Tampa, Florida |
Guitar Slingers Song And Dance
1990 Detroit, Michigan. |
(1992-1994)
Rickey Medlocke (vocals/guitar), Mark Woerpel (guitar)
Tim Stunson (bass) Benny Rappa (drums)
Neal Casal (guitar) Stet Howland (drums)
Rickey Medlocke (vocals/guitar), Mark Woerpel (guitar)
Tim Stunson (bass) Benny Rappa (drums)
Neal Casal (guitar) Stet Howland (drums)
There was no long term contract or steady pay coming in to keep the band behind Medlocke. As 1992 rolls on bassist Tim Stunson and Liz Larin drummer Benny Rappa take over the back end. You might remember Woerpal from his helping on the Medicine Man album. Well he joins the band full time in 1992 as well.
Rickey Medlocke's words on the Medicine Man album and the 1992 band.
Rickey Medlocke's words on the Medicine Man album and the 1992 band.
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For a brief time in 1994 Neal Casal retook the guitar helm.
As evident in the 1994 Little Rock, Arkansas film. Now this is a pretty interesting video bite. This was filmed on a riser or tripod within the crowd. Which could very well be the sound desk. This song survived alongside Train Train and Highway Song. |
After some time thinking over his next move Medlocke hunkers down and records an album of grass roots rock. So comes the album After The Reign. Lead off by another Shorty Medlocke favorite in Sittin' On Top Of The World. Performed by Shorty along with countless others over the years. There is something for fans of every kind of rock. You have one of the best mixtures of Blues, Country, Rock, Metal, Top 40, Acoustic styles contained in one album. Produced my Rickey himself and released on the now defunct Wildcat Records. Benny decides not to tour behind the album so WASP's Stet Howland joins. The band's biggest dates were supporting Deep Purple. Although having a bad cold the band is featured at the 1994 Sweden Rock Festival.
(1996-1997)
Rickey Medlocke (vocals/guitar) John Housley (guitar)
Bryce Barnes (bass) Stet Howland (drums)
Rickey Medlocke (vocals/guitar) John Housley (guitar)
Bryce Barnes (bass) Stet Howland (drums)
By 1996, Blackfoot was Medlocke, Howland, John Housley (from Ragady Ann), and Bryce Barnes (from Edwin Dare). That same year, Medlocke was invited by none other than Gary Rossington to perhaps join him back in Skynyrd. Rickey hinted at talks with Gary at concerts. By saying things like he just got off the phone with him. And he wants all of you to get loud for him. But he continued to tour with Blackfoot. Fulling all dates booked through 1997 then disbanded the group to concentrate on Skynyrd full time.
(2004-2006)
Bobby Barth (vocals/guitar) Charlie Hargrett (guitar)
Greg T Walker (bass) Jakson Spires (Drums)
Chris Ullmann (Drums)
Bobby Barth (vocals/guitar) Charlie Hargrett (guitar)
Greg T Walker (bass) Jakson Spires (Drums)
Chris Ullmann (Drums)
2004 Rickey Medlocke is jamming out Free Bird. Charlie and Jakson both join various southern rock tribute bands, Greg has released a Native American music project NDN. Bobby Barth has had his band AXE and also owns NEC Records. Which has leases with several European labels. Us fans have been patient in waiting for this great band to reform. It began with a conversation between Greg Walker and his friend Texas Rich. Aside from that Greg, Jakson, and Charlie had always hand some talks about getting the band back together. But with the Texas conversation Greg expressed that he wasn't sure if the market and fanbase was large enough. But damn he sure did miss Blackfoot. Texas Rich posted online this petition to get the band back together. Just a short time later it picking up momentum. Once the petition had over ten thousand signatures it was showed to Greg. Who was happily surprised at the turnout. It went on to gain almost 30'000 signatures. Greg, Charlie, and Jakson listen to all of us and plans are put into place. Charlie was the one to phone up Rickey Medlocke and inquire about his wants. Rickey declines the offer stating that he was too happy in Skynyrd. And he doesn't want to reform Blackfoot. Since Medlocke and All Nalli own the trademarks a deal had to be structured to use the name. Within a short time one was settled and rehearsals began.
Editor's Note : I've read people say that they think Medlocke wouldn't have been able to sing full time again. As with most singers his higher notes have been cut down. But his mid tone is in great shape. I'm sure he could sing again full time if he wanted to. (See him over in the TV page at the 2008 NAMA).
All three agreed that Bobby Barth was the only man for the front spot. Which he accepts with honor. If you remember he helped the band out after Ken Hensley left. Every fan would have loved Rickey back in but it wasn't in the cards. Cuddos to the other guys because most bands try to find an exact duplicate voice. But the guys went with their friend. Also you should take in account he had paid enough dues and had enough time under his belt. To be able to have respect as a front man.
Can you tell us the steps in you fronting the re-united band in 2004?
BB: Greg and Jak called asked me if I would be interested. I said yes, as long as they didn't want a RM clone. I figure one RM or one Bobby Barth is about all the world needs.
Some fans have a rule 'No Rickey Medlocke = No Blackfoot' Do you have anything you'd like to say to those people?
BB: I know some people in the Blackfoot family felt that way to. But anyone who didn't come see Blackfoot for that reason, I guess were being loyal to RM. But life has taught me, no one person is that important. Ric is a great front man. Always was, as far back as I knew them. The version of Blackfoot I fronted was more inclined to my strengths, just like RM, used his strengths. On a personal level, I think it's kind of
silly to think any one person makes a band, Skynyrd is a great example of that. As it ended up, I heard very little complaint from anyone who actually attended the shows, RM or BB are just another chapter, now that I am gone I heard some people bellyaching about Mike Estes being there instead of me, screw it, go see the band and if you like em, go again, if you don't, then don't go back.
Can you give us just a general rundown on how the first rehearsals went? And how everyone was feeling?
BB: Well, we had made a pact with each other that if we were not up to the task, we would just shake hands and go our separate ways. But after the first few songs, we knew if anything, everyone had improved with age as players. Not as frantic as the early days. It's kind of funny to go back and listen to some of the live tapes from the 80's, the songs were so fast RM, couldn't get all the words squeezed in.
How did you guys pick the setlist ya'll would do?
BB: The fans really picked it, if we would have done a show without doing most of those songs, people would have been disappointed.
Editor's Note : I've read people say that they think Medlocke wouldn't have been able to sing full time again. As with most singers his higher notes have been cut down. But his mid tone is in great shape. I'm sure he could sing again full time if he wanted to. (See him over in the TV page at the 2008 NAMA).
All three agreed that Bobby Barth was the only man for the front spot. Which he accepts with honor. If you remember he helped the band out after Ken Hensley left. Every fan would have loved Rickey back in but it wasn't in the cards. Cuddos to the other guys because most bands try to find an exact duplicate voice. But the guys went with their friend. Also you should take in account he had paid enough dues and had enough time under his belt. To be able to have respect as a front man.
Can you tell us the steps in you fronting the re-united band in 2004?
BB: Greg and Jak called asked me if I would be interested. I said yes, as long as they didn't want a RM clone. I figure one RM or one Bobby Barth is about all the world needs.
Some fans have a rule 'No Rickey Medlocke = No Blackfoot' Do you have anything you'd like to say to those people?
BB: I know some people in the Blackfoot family felt that way to. But anyone who didn't come see Blackfoot for that reason, I guess were being loyal to RM. But life has taught me, no one person is that important. Ric is a great front man. Always was, as far back as I knew them. The version of Blackfoot I fronted was more inclined to my strengths, just like RM, used his strengths. On a personal level, I think it's kind of
silly to think any one person makes a band, Skynyrd is a great example of that. As it ended up, I heard very little complaint from anyone who actually attended the shows, RM or BB are just another chapter, now that I am gone I heard some people bellyaching about Mike Estes being there instead of me, screw it, go see the band and if you like em, go again, if you don't, then don't go back.
Can you give us just a general rundown on how the first rehearsals went? And how everyone was feeling?
BB: Well, we had made a pact with each other that if we were not up to the task, we would just shake hands and go our separate ways. But after the first few songs, we knew if anything, everyone had improved with age as players. Not as frantic as the early days. It's kind of funny to go back and listen to some of the live tapes from the 80's, the songs were so fast RM, couldn't get all the words squeezed in.
How did you guys pick the setlist ya'll would do?
BB: The fans really picked it, if we would have done a show without doing most of those songs, people would have been disappointed.
Rehearsals went great and much of the magic was still there. The first couple of shows were well received with a setlist of their greatest hits. Including one of Greg T. Walkers NDN songs Great Spirit. Also in the set was the AXE song Sunshine Again.
Whose idea was it to bring your song 'Sunshine Again' into the set?
BB: Mine, in the last 20 or so years, I began leaning towards Blues and I always was a ballad guy, so it was a vehicle for me to do what I do.
Whose idea was it to bring your song 'Sunshine Again' into the set?
BB: Mine, in the last 20 or so years, I began leaning towards Blues and I always was a ballad guy, so it was a vehicle for me to do what I do.
A Legend Never Dies
After just a few gigs into their reformation Spires suffered a brain aneurysm. Taking several days for him to finally die which was indeed a sad day. With all Blackfoot members including Rickey Medlocke spending time by his bed.
Any particular memory stand out to you of Jakson Spires over the years?
BB: My wife of 21 years, was married to Jak in the early days, before any success came to the band. Like just about every band starting out, they needed someone to work to pay the bills and buy food, my wife served that function. In a very real way, Blackfoot owes her a debt, but when we are young we can be pretty selfish. Jak was a great friend, his death about whipped my ass, but I am sure many people felt that way. Jak had a way of making you feel important.
Kennedy Richard : I was fortunate enough to meet and become friends with Jakson Spires around the year 2000 with SRA. I could not believe how nice and gracious he was. I met with him about 5 times and still treasure the cards/letters that he sent to me. He was a class act, a true rock star and legend, and just an overall great human being. I miss him.
Any particular memory stand out to you of Jakson Spires over the years?
BB: My wife of 21 years, was married to Jak in the early days, before any success came to the band. Like just about every band starting out, they needed someone to work to pay the bills and buy food, my wife served that function. In a very real way, Blackfoot owes her a debt, but when we are young we can be pretty selfish. Jak was a great friend, his death about whipped my ass, but I am sure many people felt that way. Jak had a way of making you feel important.
Kennedy Richard : I was fortunate enough to meet and become friends with Jakson Spires around the year 2000 with SRA. I could not believe how nice and gracious he was. I met with him about 5 times and still treasure the cards/letters that he sent to me. He was a class act, a true rock star and legend, and just an overall great human being. I miss him.
(2006-2007)
Bobby Barth (vocals/guitar) Jay Johnson (vocals/Guitar)
Charley Hargrett (guitar) Greg T Walker (bass)
Chris Ullman (Drums) Mark McConnell (drums)
Bobby Barth (vocals/guitar) Jay Johnson (vocals/Guitar)
Charley Hargrett (guitar) Greg T Walker (bass)
Chris Ullman (Drums) Mark McConnell (drums)
Hailing from Austria Chris Ullman takes the drummer stool. Gigs continue until Bobby starts having very serious pains. He has had shoulder problems since an auto accident in the '80's. MRI's showed that he needed healing and therapy. A huge 10'000 plus sized show was coming up. At the last minute Bobby said he could do the show but not at one hundred percent. Jay Johnson the son of Jimmy Johnson of Muscle Shoals was called. The band had known him since he was ten. He also played in the Southern Rock Allstars with Jakson and Walker. This line up was filmed for the Train Train Southern Rocks Best dvd/cd combo. November 2006 Ullman left to return to Austria and was replaced by Mark McConnell. April 2007 both Johnson and McConnell were let go. Jay was asked to leave because Bobby had made a full recovery. Which Jay had only joined on short term bases to begin with.
(2007-2010)
Greg T Walker (bass) Bobby Barth (vocals/guitar)
Charley Hargrett (guitar) Mike Sollars (Drums)
Scott Craig (Drums)
Greg T Walker (bass) Bobby Barth (vocals/guitar)
Charley Hargrett (guitar) Mike Sollars (Drums)
Scott Craig (Drums)
The band continued to tour the world. Adding all that lost time and life back into the group. From the USA to Europe, UK, Sweden, And everywhere in between. In 2009 Scott Craig was employed as the new drummer.
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There are many audience films to demonstrate the Bobby Barth era of the band. Out of all the classic Blackfoot songs to me this was the one Bobby did the best . Left Turn On A Right Light. Performed here in Chillicothe, Ohio 2007. |
(2010-2011)
Mike Estes (vocals/guitar) Charley Hargrett (guitar)
Greg T Walker (bass) Kurt Pietro (Drums)
Mike Estes (vocals/guitar) Charley Hargrett (guitar)
Greg T Walker (bass) Kurt Pietro (Drums)
The Spring of 2010, Barth needed to have major back surgery. So he had to leave Blackfoot. But Bobby was wanting to record some new music anyway. But problems with Blackfoot made it hard.
Any songs ya'll worked on but didn't do?
BB: Lots, but due to a complicated situation, we were not able to record. That's the reason I started
my new band "The Louisiana HooDoo Krewe" I have written more in the last few years than I ever did before.
Any work ever done on a new Blackfoot studio album?
Yup, but you'll never hear it. LOL
Anything you think us Blackfoot fans would like to know that wasn't covered in any of these questions. Stories and so forth?
I think most of that stuff is better left unsaid. Blackfoot wasn't the biggest band I ever played for, but
it was the most fun. Also in SOME ways the most tragic. I learned an awful lot about human nature and who my friends were, who believed in me, when we reunited. The guys in the band were great, but one person ( a non musician) in particular really really disappointed me. But I would do it again.
So what are your future plans and and any final words for us?
"Louisiana HooDoo Krewe" and a new record for me. At this point I'm gonna do what I want and if people come along for the ride, cool, if not, that's cool to. This is my 43rd year as a full time musician, fuck it, I'm gonna have some fun. I have written a book ( more of a really long story) that's gonna piss a whole lot of people off, after I'm gone. My brother has instructions to let her rip on the net when I go, but until then you'll just have to wait. LOL
This time Greg and Charlie called former Skynyrd guitarist/vocalist Mike Estes. Mike was currently touring with Skinny Molly but it was put on hold to join Blackfoot. Intentions were for him to work on Skinny Molly in between breaks with Blackfoot. Another new drummer comes in Kurt Pietro. Who has been in several rock allstar bands. They continued until 2011 when Charlie was served with legal papers asking him to stop playing in Blackfoot. Why he was asked is not known at his point in time. Randy Peak was his replacement.
Any songs ya'll worked on but didn't do?
BB: Lots, but due to a complicated situation, we were not able to record. That's the reason I started
my new band "The Louisiana HooDoo Krewe" I have written more in the last few years than I ever did before.
Any work ever done on a new Blackfoot studio album?
Yup, but you'll never hear it. LOL
Anything you think us Blackfoot fans would like to know that wasn't covered in any of these questions. Stories and so forth?
I think most of that stuff is better left unsaid. Blackfoot wasn't the biggest band I ever played for, but
it was the most fun. Also in SOME ways the most tragic. I learned an awful lot about human nature and who my friends were, who believed in me, when we reunited. The guys in the band were great, but one person ( a non musician) in particular really really disappointed me. But I would do it again.
So what are your future plans and and any final words for us?
"Louisiana HooDoo Krewe" and a new record for me. At this point I'm gonna do what I want and if people come along for the ride, cool, if not, that's cool to. This is my 43rd year as a full time musician, fuck it, I'm gonna have some fun. I have written a book ( more of a really long story) that's gonna piss a whole lot of people off, after I'm gone. My brother has instructions to let her rip on the net when I go, but until then you'll just have to wait. LOL
This time Greg and Charlie called former Skynyrd guitarist/vocalist Mike Estes. Mike was currently touring with Skinny Molly but it was put on hold to join Blackfoot. Intentions were for him to work on Skinny Molly in between breaks with Blackfoot. Another new drummer comes in Kurt Pietro. Who has been in several rock allstar bands. They continued until 2011 when Charlie was served with legal papers asking him to stop playing in Blackfoot. Why he was asked is not known at his point in time. Randy Peak was his replacement.
As 2012 came around the deal with Blackfoot was elected not to be renewed. As Medlocke began to reform Blackfoot himself. Except he wouldn't be in the band. Instead it was decide to recruit new talent in a 'Next Generation of Blackfoot' as it was phrased. For more information visit Blackfootband.com. (The next generation band has had three different front men I believe. Philip Shouse (2012) Sean Chambers (2012-2014) Jeremy Thomas (current). Brian Carpenter has been on bass since 2012. Along with lead guitarist Tim Rossi. Christopher Williams was replaced on drums by Matt Anastasi in late 2012. With Medlocke producing, a new Blackfoot album has been in the works since then. But no dice yet on the material. The band started off touring heavily but has laid back to a few shows a year.